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The only things missing are the black hat and long, pencil-thin mustache.
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David Lyons hams it up as the bad guy to the point where his performance is laughable.
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Duhamel and Hough make an appealing couple and that's all that really matters. Then again, this is a Nicholas Sparks movie, so thespian talent plays a distant second to physical appearance. Her acting skills could use a little… refinement. My reaction to her is much the same as it has been in her other roles: the camera loves her but she doesn't necessarily love it back. He's charming and charismatic and interacts well with his co-star, Julianne Hough. Josh Duhamel steps away from his Transformers persona to do a decent job as a leading man in a romance. There are postcard worthy shots of landscapes bathed in golden sunlight, romantic scenes that take place in the pouring rain, and a cloying application of the phrase "love conquers all."
#SAFE HAVEN MOVIE MOVIE#
Outside of that, the movie goes to great pains to remind us of its pedigree. That is to say, it would easy enough to accept in a different sort of movie but is more than a little offputting in a Nicholas Sparks romance. I will admit to being surprised by one thing in the movie, because it's so far beyond the genre's DNA. Things seem to be going smoothly until a dark figure from Katie's past (David Lyons) shows up waving a gun, being mean to everyone (even a little girl!), drinking vodka out of a water bottle, and making it pretty obvious that he's not just a nice guy who has been misunderstood. Eventually, they inch closer to one another, develop feelings, and engage in some PG-13 sex. The movie takes a little while to get Alex (Josh Duhamel) and Katie (Julianne Hough) together, but such foreplay is necessary in a movie like this. Then there's the incredibly attractive, sensitive guy with a tragic (but not so mysterious) past. There's the incredibly attractive, spunky girl with a tragic, mysterious past. In Safe Haven, Sparks gives us two familiar romantic types. Overcoming the contrived plot points and painfully obvious "twists" makes it a difficult task to concentrate on the basic, critical character interaction. It's trash - entertaining and escapist, perhaps - but trash nonetheless. Watching one of his stories adapted on screen has exactly the opposite effect: it neuters the imagination. Reading a Sparks novel allows one's imagination to enter the equation. This kind of thing inevitably works better in writing than in movies. He tugs at heartstrings, acts like an onion on tear ducts, and provide the dose of sappy fantasy that allows his readers to escape into a world that's about as real as Middle Earth.
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Sparks, like Barbara Cartland before him, delivers exactly what his fans want: romance between two attractive people. But it was filmed in August, more than a month after the real festival.It's pointless criticizing a Nicholas Sparks movie for being a Nicholas Sparks movie. – The production staged a massive Fourth of July Parade with 3,000 background extras for the film, a nod to Southport’s heritage as the home of the state’s official Fourth of July Festival each year. Based on the book by Nicholas Sparks.įilming locations: Southport’s East Bay Street, Fort Johnston-Southport Museum & Visitors' Center, Ports of Call Restaurant, American Fish Company, Southport City Pier, Moore Street Market, Fort Fisher State Recreation Area, Fort Fisher Ferry Terminal, Wilmington Convention Center Unfortunately, when her past catches up to her, Kattie’s life and those of the people she has come to love in Southport are put in danger. While in the idyllic Southern town, she befriends and later falls for a general store owner and single father, who is still mourning the loss of his own wife. Synopsis: Katie (Hough) flees her abusive police detective husband and hops a bus to Southport, North Carolina, under an assumed name and a new hairdo.
#SAFE HAVEN MOVIE TV#
Each month, Port City Life magazine looks back at one of the region’s influential and memorable film or TV productions, how it used the local landscape and the cultural mark it made.Ĭast: Josh Duhamel, Julianne Hough, Cobie Smulders, David Lyons, Cullen Moss